Mike Smirnoff:
I've heard of Monks getting enlightened in Sri Lanka, just by reading the Abhidhamma. Can't remember where I heard/read this, though.
Yes, exactly. And the potency of the word of God, as manifested in scripture, is crucial to the Judeo-Christian heritage. In my own practice, i think of it as a 1-2-3 algorithm, technique-wise: body, breath, word. Body is pure vipassana attention: the door of the senses, the blip on the radar screen, note what sensation arises, ever more finely. Breath, ditto: the sine curve of every breath, rippling through the body. And word, for me, logos, the word of God, but also mantra, or even wordless technique in some other sense of logos, which refreshes the radar screen, and commences the next iteration. You can see it in pure three characteristics fashion: body is dukha, where we experience the hurt; breath is transience, if it's not disappearing as it happens, we're dead. And "word" is anatta, a given element here that is not ours, not us. To meditate on scripture in that sense is to take scripture whole-heartedly as a given, and to go deeper into the enigma of that.
I tend to treat MCBT2 as scripture, in this sense. Pretty much any scripture you find is a commentary, exegesis, compilation, or otherwise reliant on previous scripture, in an endless chain of transmission disappearing back into the mists of time. You pick your point in the canon, the scripture that calls to you, and start trying to figure out what the fuck it could possibly mean, in a way meaningful to you. Daniel is rooted in theravadan scripture, and also in other old scriptures he cites freely and fluently a lot of the time, and also in the oral transmission of scripture with its spin from various teachers and friends (the rabbis say there are two Torahs, the written and the oral). But he takes his scripture as dead serious, has been life and death serious about WHAT DOES THIS SHIT REALLY MEAN in practice, now, for him first, and then for all sentient beings with ears to hear the same song, and his spin on that song.