Jungian Active Imagination is one of a group of techniques for blending states of awareness, ranging from normal daytime awareness down through dreaming to deep, dreamless sleep. Just like lucid dreaming is the blending or carrying of conscious awareness into the dream state, active imagination is the blending or carrying of the dream state into wakeful consciousness. Jung noticed that similar states were produced when listening to a story or drifting into (hypnogogia) or out of sleep (hypnopompia)--in these latter two cases, dream and wakefulness are more or less evenly balanced. There is also another set of blended states in which one is wakefully aware in dreamless, abyssal sleep or experiences sleeplike cessation of some of the sense modalities while awake (osel/yoga nidra/yogic sleep).
If you are currently working with mental health issues of a caliber that may require medication, this practice may not be advisable at this time. Even if you are not, the unconscious material that is unearthed by this technique can be very powerful and is particularly upsetting to those who have a lot of "stuff" that they've spent energy trying to distance themselves from, so it's helpful to be able to phone a friend who can act as a lifeguard if things get weird. Jung thought that he was having a psychotic break and had visions of a tide of blood coming over the Alps.
When beginning a practice session, it's helpful to set one or more intentions to guide the practice. This may be as simple as saying, "I am practicing active meditation; I will not fall asleep." One may also at this time dedicate the practice to the benefit of all sentient beings, and/or formulate a wish, intention or other guidance, such as, "I am doing this to work on my courage," or "to meet a part of myself which I have kept hidden," or "to find a solution to a problem which seems insoluble." In the Classical world, those who suffered from difficult illnesses would visit the temple of the physician-god Asclepius, where they would engage in a dream practice called
incubation, and would dream their own cures.
The practice itself works like this:
- Relax, resting comfortably.
- Allow your critical editor's mind to rest. Simply accept whatever images may occur without judgment or interpretation.
- An image may come to mind as you muse. If not, you can begin with a "starter image" representing your conscious mind. A house or temple, with several doors and a staircase leading down, down, down, into the subconscious dream space. A field or clearing on the edge of a great wood, with a path that crosses flowing water or a gate in a low stone wall and disappears among the trees. A painting or photograph where some of the figures have their backs turned to you.
- As you look into the image, something will move or change. Follow that thing as it leads you into the image. Keep going toward whatever is the most vivid thing there. Notice when sounds become audible. Notice the feel of your imagined surroundings.
- If you meet someone, talk to them, and let them talk back to you or to other people around them. When something they say surprises you, you're on the right track.
- Follow the experience wherever it leads. Allow it to come to a conclusion naturally.
- After you're finished, memorialize the experience however you wish: writing, painting, drawing, recording audio or video, or whatever you prefer. When you get familiar with the technique, you should be able to record your experience as it is happening. Jung's Red Book is a record of a series of active imagination experiences he had early in his career.
- If your record is sufficiently rich, then you can resume your experience where you left off, or restart from your starter image.
- Rather than going on a journey, you can use this technique to bring remembered or imagined people to you so you can converse with them as if they were there. This is a particularly popular technique for various authors, who have written entire books by simply taking dictation from their narrative viewpoint character.
- As with many visualization techniques, it often takes beginners some length of time to get up to full sensory vividness; however, if you've ever visualized scenes from a book, either one that you're reading or one being read to you, you're not really a beginner.