Ven. Bhikku Bodhi's translation (looks the same) is here:
http://www.vipassana.com/canon/majjhima/mn121.php
Both teachers make sure the reader knows that "perception" may also be translated as "mental note".
MN121:
After monk realizes he is taking pleasure/indulgence in infinite space, infinite consciousness, nothingness, even perception and non-perception (totally beyond me unless I read this as "mental note" where "note" is not necessarily literal "noting"), then theme-less concentration of
awareness, and finally knowledge of the effluent, only then there is release.
"
(Theme-Less Concentration)
"Further, Ananda, the monk -- not attending to the perception of the sphere of nothingness, not attending to the perception of the sphere of neither perception nor non-perception -- attends to the singleness based on the theme-less concentration of awareness. His mind takes pleasure, finds satisfaction, settles, & indulges in its theme-less concentration of awareness.
"He discerns that 'Whatever disturbances would exist based on the perception of the sphere of nothingness are not present. Whatever disturbances would exist based on the perception of the sphere of neither perception nor non-perception, are not present. And there is only this modicum of disturbance: that connected with the six sensory spheres, dependent on this very body with life as its condition.' He discerns that 'This mode of perception is empty of the perception of the sphere of nothingness. This mode of perception is empty of the perception of the sphere of neither perception nor non-perception. There is only this non-emptiness: that connected with the six sensory spheres, dependent on this very body with life as its condition.' Thus he regards it as empty of whatever is not there. Whatever remains, he discerns as present: 'There is this.' And so this, his entry into emptiness, accords with actuality, is undistorted in meaning, & pure.
(Release)
"Further, Ananda, the monk -- not attending to the perception of the sphere of nothingness, not attending to the perception of the sphere of neither perception nor non-perception -- attends to the singleness based on the theme-less concentration of awareness. His mind takes pleasure, finds satisfaction, settles, & indulges in its theme-less concentration of awareness.
"He discerns that 'This theme-less concentration of awareness is fabricated & mentally fashioned.' And he discerns that 'Whatever is fabricated & mentally fashioned is inconstant & subject to cessation.' For him -- thus knowing, thus seeing -- the mind is released from the effluent of sensuality, the effluent of becoming, the effluent of ignorance. With release, there is the knowledge, 'Released.' He discerns that 'Birth is ended, the holy life fulfilled, the task done. There is nothing further for this world.'
"He discerns that 'Whatever disturbances would exist based on the effluent of sensuality...the effluent of becoming...the effluent of ignorance, are not present. And there is only this modicum of disturbance: that connected with the six sensory spheres, dependent on this very body with life as its condition.' He discerns that 'This mode of perception is empty of the effluent of sensuality...becoming...ignorance. And there is just this non-emptiness: that connected with the six sensory spheres, dependent on this very body with life as its condition.' Thus he regards it as empty of whatever is not there. Whatever remains, he discerns as present: 'There is this.' And so this, his entry into emptiness, accords with actuality, is undistorted in meaning, pure -- superior & unsurpassed.
Thus, the last disturbance recognizes that even "this themeless concentration of awareness" is an "effluent" - an outflow (streaming from a headwaters (self)) and such effluent will always contain its originating disturbance (self, originating ignorance). The recognition that precedes entry into emptiness (which accords with actuality) is discernment
* of present.
Release is not discernment of present; release results from discernment of present-no-longer-based-on-effluent.This opens a subtle (or not so subtle) question about awareness - is it an effluent of self, or a sensory limb functioning in its capacity to aggregate the present as registered by the other five sense doors (which awareness could no more be removed of this capacity than a thumb of its feeling without some surgical intervention)?
Notice that the MN does not say 'empty of senuality', rather it clearly states "empty of the effluent of sensuality".Clearly, here in MN121, awareness is deliberately carved out from any fabricated separate entity which entity would concentrate
on xyz.
Here, clearly, awareness now enters what is actually present**, not originating any effluent (which effluent would assert itself into/against present/grandma weps/snow shoveling/friend talking,etc...). (I initially visualized the effluent like a tide flowing into/against (the) present).
So, this discernment of present, no longer based on effluent, is release, (followed by
***) entry into emptiness.
To summarize:
1. Even theme-less concentration of awareness is an indulged object of mind;
2. Realizing this, a person discerns that concentration of awareness is fabricated & mentally fashioned
3. Whatever is fabricated & mentally fashioned is inconstant & subject to cessation.
4. Thus knowing, thus seeing this (item #3), there is release from the effluents of sensuality, becoming, and ignorance
5. [Item #4 is not a release from sensuality, becoming and ignorance themselves: hence, there is no cessation of actual senses, no cessation of actual continuous change, no resulting omniscience]
6. Whatever remains, he discerns as present: 'There is this.'
7. And so this, his entry into emptiness, accords with actuality
Shorter:
"effluent of"
gone,
thus
empty
present
actual
_________
*mental ability to understand
**present: first "he regards it as empty of whatever is not there", then upon entry into emptiness, where present "accords with actuality"
*** "followed by": the text does not say, 'his entry into emptiness
follows the discernment', though the narrative provides this physical layout: 1.
discernment, then 2.
released, then 3.
entry into emptiness.
****Partner says "effluent" makes him think of sewage, sort of adds a gross visual to self...
[lots of edits, record-breaking, keyboard should have a taser]